The first time we looked at
this work , we must admit we weren't too sure of what we were actually witnessing.
Expertly draped on a wall and floors, the sculptures slowly and coyly revealed its true form and we began to process the nature of this amazing piece of art. It possessed fluidity and a sense of dynamism that was beautifully juxtaposed with a harsh metallic rigidity.
Expertly draped on a wall and floors, the sculptures slowly and coyly revealed its true form and we began to process the nature of this amazing piece of art. It possessed fluidity and a sense of dynamism that was beautifully juxtaposed with a harsh metallic rigidity.
The Creator, El Anatsui, who was
born 1944 in Anyako, Ghana. In 1975 he became professor of sculpture at the
University of Nigeria, in the smallish city of Nsukka. Although Anatsui has
experimented with a variety of medias, - wood, ceramics and paint throughout
his career, recently, he has focused on discarded metal objects, thousands of
which are joined together to create a truly revolutionary work of art.
The branded liquor bottle tops also
reference historic ties of alcohol trade which West Africa had with Europe and
America. This can be seen as a way of informing the present through the use of
the materials visual on the mixed consequences of former colonialism, current
globalization, rampant consumerism and waste. “Back home we would characterize
someone who is given to the pleasures of drinking and eating as someone who is
‘building in the stomach’; – the whole piece is talking about ‘consumption’”
It is clear that these materials
are being used out of necessity rather than choice. "I am changing the
meaning of bottle caps. Metaphorically I am working with the lifting of the
spirits." says Anatsui. As demonstrated with Anatsui's work there
is a lot more behind the choice of material than one might first think.
Amazing! check this out!
Amazing! check this out!
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